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	<id>https://nigeria.craftpedia.africa/index.php?action=history&amp;feed=atom&amp;title=Nok_Terracotta</id>
	<title>Nok Terracotta - Revision history</title>
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	<updated>2026-04-11T15:53:39Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://nigeria.craftpedia.africa/index.php?title=Nok_Terracotta&amp;diff=103&amp;oldid=prev</id>
		<title>Niger afr adm at 05:13, 9 February 2026</title>
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		<updated>2026-02-09T05:13:56Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:13, 9 February 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot;&gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references /&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Breunig, Peter. &#039;&#039;Nok: African Sculpture in Archaeological Context&#039;&#039;. Africa Magna Verlag, Frankfurt am Main.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Breunig, Peter; Rupp, Nicola; Schreiber, Katharina. &#039;&#039;Nok – Origin of African Sculpture&#039;&#039;. Museum Rietberg Zürich.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Fagg, Bernard. &#039;&#039;Nok Terracottas&#039;&#039;. Ethnographica, London.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* National Commission for Museums and Monuments (Nigeria). Publications on Nok culture and archaeology.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* British Museum. Collection entries and curatorial notes on Nok terracotta figures.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Neaher, Luke. “Reassessing the Nok Culture of Nigeria.” Academic archaeological journal articles.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Further Reading ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Further Reading ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Niger afr adm</name></author>
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	<entry>
		<id>https://nigeria.craftpedia.africa/index.php?title=Nok_Terracotta&amp;diff=100&amp;oldid=prev</id>
		<title>Niger afr adm at 04:56, 9 February 2026</title>
		<link rel="alternate" type="text/html" href="https://nigeria.craftpedia.africa/index.php?title=Nok_Terracotta&amp;diff=100&amp;oldid=prev"/>
		<updated>2026-02-09T04:56:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:56, 9 February 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;= Nok Terracotta =&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Nok terracotta&amp;#039;&amp;#039;&amp;#039; refers to a corpus of ancient fired clay sculptures produced by the Nok culture of central Nigeria between approximately &amp;#039;&amp;#039;&amp;#039;1500 BCE and 500 CE&amp;#039;&amp;#039;&amp;#039;. These figures represent some of the earliest known examples of large-scale figurative sculpture in sub-Saharan Africa and are noted for their distinctive stylization, technical sophistication, and cultural significance.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Nok terracotta&amp;#039;&amp;#039;&amp;#039; refers to a corpus of ancient fired clay sculptures produced by the Nok culture of central Nigeria between approximately &amp;#039;&amp;#039;&amp;#039;1500 BCE and 500 CE&amp;#039;&amp;#039;&amp;#039;. These figures represent some of the earliest known examples of large-scale figurative sculpture in sub-Saharan Africa and are noted for their distinctive stylization, technical sophistication, and cultural significance.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Niger afr adm</name></author>
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	<entry>
		<id>https://nigeria.craftpedia.africa/index.php?title=Nok_Terracotta&amp;diff=99&amp;oldid=prev</id>
		<title>Niger afr adm: Created page with &quot;= Nok Terracotta =  &#039;&#039;&#039;Nok terracotta&#039;&#039;&#039; refers to a corpus of ancient fired clay sculptures produced by the Nok culture of central Nigeria between approximately &#039;&#039;&#039;1500 BCE and 500 CE&#039;&#039;&#039;. These figures represent some of the earliest known examples of large-scale figurative sculpture in sub-Saharan Africa and are noted for their distinctive stylization, technical sophistication, and cultural significance.  == Overview == The Nok terracotta tradition is characterized by h...&quot;</title>
		<link rel="alternate" type="text/html" href="https://nigeria.craftpedia.africa/index.php?title=Nok_Terracotta&amp;diff=99&amp;oldid=prev"/>
		<updated>2026-02-09T04:56:40Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;= Nok Terracotta =  &amp;#039;&amp;#039;&amp;#039;Nok terracotta&amp;#039;&amp;#039;&amp;#039; refers to a corpus of ancient fired clay sculptures produced by the Nok culture of central Nigeria between approximately &amp;#039;&amp;#039;&amp;#039;1500 BCE and 500 CE&amp;#039;&amp;#039;&amp;#039;. These figures represent some of the earliest known examples of large-scale figurative sculpture in sub-Saharan Africa and are noted for their distinctive stylization, technical sophistication, and cultural significance.  == Overview == The Nok terracotta tradition is characterized by h...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;= Nok Terracotta =&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Nok terracotta&amp;#039;&amp;#039;&amp;#039; refers to a corpus of ancient fired clay sculptures produced by the Nok culture of central Nigeria between approximately &amp;#039;&amp;#039;&amp;#039;1500 BCE and 500 CE&amp;#039;&amp;#039;&amp;#039;. These figures represent some of the earliest known examples of large-scale figurative sculpture in sub-Saharan Africa and are noted for their distinctive stylization, technical sophistication, and cultural significance.&lt;br /&gt;
&lt;br /&gt;
== Overview ==&lt;br /&gt;
The Nok terracotta tradition is characterized by hollow clay sculptures depicting human figures, animals, and composite forms. The figures often display elaborate hairstyles, jewelry, expressive facial features, and carefully modeled anatomical details. Their discovery significantly altered scholarly understanding of early African art and technological development.&lt;br /&gt;
&lt;br /&gt;
== Historical Context ==&lt;br /&gt;
The Nok culture flourished in what is today central Nigeria during the early Iron Age. Archaeological evidence suggests a settled society with advanced knowledge of agriculture, ironworking, and ceramic production.&lt;br /&gt;
&lt;br /&gt;
The terracotta figures are believed to have been produced for ritual, social, or symbolic purposes, though their precise function remains uncertain due to limited contextual data from early excavations.&lt;br /&gt;
&lt;br /&gt;
== Geographic Distribution ==&lt;br /&gt;
Finds associated with the Nok culture have been documented primarily in present-day:&lt;br /&gt;
* Kaduna State&lt;br /&gt;
* Plateau State&lt;br /&gt;
* Niger State&lt;br /&gt;
* Federal Capital Territory (Abuja region)&lt;br /&gt;
&lt;br /&gt;
Most sculptures were discovered accidentally during tin mining operations in the 20th century.&lt;br /&gt;
&lt;br /&gt;
== Materials and Techniques ==&lt;br /&gt;
Nok sculptures were created using locally sourced clay and fired at relatively high temperatures. Technical features include:&lt;br /&gt;
* Hollow construction to prevent cracking during firing&lt;br /&gt;
* Hand modeling without the use of molds&lt;br /&gt;
* Incised and applied decorative elements&lt;br /&gt;
* Controlled firing in open or semi-enclosed kilns&lt;br /&gt;
&lt;br /&gt;
Fragments often show evidence of deliberate breakage, possibly linked to ritual practices.&lt;br /&gt;
&lt;br /&gt;
== Iconography and Style ==&lt;br /&gt;
Typical stylistic features of Nok terracotta include:&lt;br /&gt;
* Triangular or perforated eyes&lt;br /&gt;
* Stylized noses and mouths&lt;br /&gt;
* Complex hairstyles and headdresses&lt;br /&gt;
* Depictions of seated or standing postures&lt;br /&gt;
* Occasional representations of animals or hybrid beings&lt;br /&gt;
&lt;br /&gt;
The consistent visual language suggests a shared artistic canon across the Nok cultural sphere.&lt;br /&gt;
&lt;br /&gt;
== Function and Interpretation ==&lt;br /&gt;
The original purpose of Nok terracotta figures remains debated. Scholarly interpretations propose functions such as:&lt;br /&gt;
* Ritual or religious use&lt;br /&gt;
* Funerary symbolism&lt;br /&gt;
* Social status markers&lt;br /&gt;
* Ancestral or protective figures&lt;br /&gt;
&lt;br /&gt;
The absence of intact archaeological contexts complicates definitive conclusions.&lt;br /&gt;
&lt;br /&gt;
== Discovery and Archaeology ==&lt;br /&gt;
The first Nok terracotta figures were identified in the 1920s. Systematic archaeological research began later in the 20th century, contributing to improved dating and cultural attribution through stratigraphy and radiocarbon analysis.&lt;br /&gt;
&lt;br /&gt;
Modern excavations emphasize controlled documentation to counter earlier losses caused by looting and unrecorded discoveries.&lt;br /&gt;
&lt;br /&gt;
== Preservation and Ethical Issues ==&lt;br /&gt;
Nok terracotta figures have been subject to extensive illicit excavation and international trafficking. Many known examples reside in museum and private collections outside Nigeria.&lt;br /&gt;
&lt;br /&gt;
Preservation concerns include:&lt;br /&gt;
* Fragility of fired clay&lt;br /&gt;
* Loss of archaeological context&lt;br /&gt;
* Repatriation debates&lt;br /&gt;
* Cultural heritage protection&lt;br /&gt;
&lt;br /&gt;
== Legacy and Influence ==&lt;br /&gt;
The Nok terracotta tradition holds a foundational place in African art history. It demonstrates early mastery of figurative sculpture and challenges outdated assumptions regarding technological and artistic development in ancient Africa.&lt;br /&gt;
&lt;br /&gt;
== See Also ==&lt;br /&gt;
* Nok culture&lt;br /&gt;
* Terracotta sculpture&lt;br /&gt;
* Ancient Nigerian art&lt;br /&gt;
* African Iron Age&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Further Reading ==&lt;br /&gt;
* Academic publications on Nok archaeology&lt;br /&gt;
* Museum catalogues of Nigerian terracotta collections&lt;br /&gt;
* Nigerian cultural heritage studies&lt;br /&gt;
&lt;br /&gt;
[[Category:Nigerian art]]&lt;br /&gt;
[[Category:African terracotta]]&lt;br /&gt;
[[Category:Archaeological cultures of Nigeria]]&lt;br /&gt;
[[Category:Ancient sculpture]]&lt;br /&gt;
[[Category:Craft traditions of Nigeria]]&lt;br /&gt;
[[Category:Kaduna State]]&lt;/div&gt;</summary>
		<author><name>Niger afr adm</name></author>
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